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I work with objects readily available, from and in any given environment. The ‘work’ comes from the potential for the object to be of interest both in and outside of it’s own means. What begins as a curious investigation into any part of any thing, ends in a gradual manipulation to reveal a physical difference or potential within the object. It is photographed at every stage of this manipulation which acts simultaneously as an aid to the creation of, and relief from logic and reason. The sequence of photographs presented once the action has concluded, often constructs a narrative from a language seemingly foreign to the object in it’s original form.
I work with objects readily available, from and in any given environment. The ‘work’ comes from the potential for the object to be of interest both in and outside of it’s own means. What begins as a curious investigation into any part of any thing, ends in a gradual manipulation to reveal a physical difference or potential within the object. It is photographed at every stage of this manipulation which acts simultaneously as an aid to the creation of, and relief from logic and reason. The sequence of photographs presented once the action has concluded, often constructs a narrative from a language seemingly foreign to the object in it’s original form. 
